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In particular it announced the ‘Xerox EX server powered by Fiery,’ for the speedy Xerox iGen 150 high end press that was also introduced at the show. A new Dynamic Document feature allows users to produce a fully personalised document within the same browser used for website and email creation, so no external layout program is needed.ĮFI had plenty to say about wide format and digital label printing, but also extended its front end offerings. The latest version enables the creation of mobile landing pages, sales and marketing apps and automated SMS sending. This requires no programming or HTML skills. The TWiST modular workflow and DiALOGUE progress-tracking engines have also been enhanced.ĭirect Smile introduced the new version 5 of its Cross Media software, which makes it easy to set up personalised automated campaigns across print, online and mobile media. The DALiM Virtual Library (DBL) page-turning job-progress tracker can now work with web browser so there’s no need for the previous client software. This can be time-constrained for temporary access. ES now has a Share feature to allow documents to be emailed to people who are outside the normal supply chain. EFI FIERY EXPRESS RIP REVIEW SOFTWAREThis isn’t a product yet.ĭALiM Software introduced new features for its ES (Enterprise Solution) production management and Virtual Library products that assist in file sharing and viewing. When accessing soft proofs the iPad’s ID triggers the online profile so the colours are modified before they are sent to the tablet. CGS gets around this by using a standard X-Rite i1 colorimeter to read the iPad screen and then to calculate correction profiles and send them to an online server. Normally this isn’t possible because the iOS operating system has no user-accessible profiles. The company also showed an interesting concept at the show, which was the ability to set up a display profile for an iPad, called ORISview. This will be used in CGS’ flexible packaging proofing solution which outputs to a Roland VersaCAMM VS inkjet.Īnother deal was for CGS to be a distributor of FFEI’s high end 3D packaging design, publishing and workflow products, including RealVue 3D Packager for 3D visualisation of pack designs. Oris Color Tuner // Web users will be able to access the Color Engine’s spot colour library. The company also signed a deal to interface Esko’s Color Engine and CGS’ colour proofing products. A new UK distributor was announced: image2output. EFI FIERY EXPRESS RIP REVIEW PLUSNew for the show were the latest versions of ORIS Color Tuner // Web 2.0 and ORIS Certified // web systems plus new digital workflow products. This offers three levels of production automation.Īpogee StoreFront is a new cloud based web to print system that is said to make it easy to set up online stores for both printed and non-printed products.ĬGS’ ORIS Press Matcher // Web colour control software was shown on the company’s own stand plus presses on the stands of Xerox, Ricoh, Canon and Konica Minolta, where it was able to match results across the different machines (it calls this Cross-Fleet Colour Management). EFI FIERY EXPRESS RIP REVIEW PDFThere’s improved colour management and a new Acrobat plug-in to add a spot varnish layer to PDF jobs.Ī new concept workflow was also demonstrated, with plans to deliver it next year. A new Merge Jobs function lets the system determine which jobs can be combined in one production run. It supports 64-bit hardware and combined virtualisation (VMWare) to let high-volume printers consolidate processing. Shown at drupa was the latest Apogee 8 workflow management suite, featuring greater connectivity and driving more digital presses than before, including support for variable data. However its Apogee range of pre-press front ends are still relevant to commercial digital printers as they support offset/digital hybrid workflows. Here Simon Eccles examines the related software developments.Īgfa’s interest in the digital sector has shifted decisively to large format inkjet and the slow-selling dotrix continuous UV inkjet press is no longer made. In part 1 we looked at the new digital presses announced at drupa in May. See also: drupa part 1: digital presses and drupa part 3: finishing ![]()
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